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Bleeding Through and Ljå...

Bleeding Through - The TruthI can't believe I'm going to post about Bleeding Through since the almost disgusting level of massive hype that Trustkill Records has been able to generate around "The Truth" makes me gag—not to mention the fact that this CD has already sold a shitload of copies, so they certainly don't need my help, but whatever. Somehow I actually dig some of these songs, and the video for "Kill to Believe" is actually kinda cool. That damn chorus got stuck in my head like a motherfucker for some reason, and actually made me curious to check this thing out when it hit my P.O. Box. So yeah, it's definitely a shitload better than their last record (which I fucking hated), but... it's just not a big deal. I mean, come on now, this is pretty far from the "trend-proof middle finger toward the glut of over-saturation that threatens to destroy a scene this band helped to build". And despite what the band may seem to state in interviews, they were not among the first to blend these metal and hardcore styles (though I suspect them to have been wronged by some slight misquoting in some of those "big cover stories", to be honest): They were just one of the first to get "popular".

I'm still not down with the whole fashion/image-conscious thing, and the lyrics are still too goofy for me in many instances (I'm all for blunt rage, but when it comes to painfully literal blunt rage about heartbreak... it just seems silly and overly immature on occasion). Aside from one pretty painful ballad ("Line in the Sand"), which does have its tolerable moments (it's just that the singing isn't strong enough to carry it), the improved production values and greater reliance on thrashy riffing and harder speeds/power chords wins me over from time to time. Plus there's just better songwriting all around, and the instrumental title track is actually pretty fuckin' slick with its dissonant chord phrasings—I love that kind of shit. Overall the singing portions of the vocals aren't quite "there" yet, but it does work in most areas, though the harsher shit definitely comes across as more comfortable. The keyboards make a lot more sense on this album, too—though honestly I still think they'd be better off tossing 'em. In the end their approach still falls too close to overdone contemporary metalcore for me to really get into a lot of it, but... there's still hope for this band yet. Oh, and the photography used for the layout is pretty badass, I have to admit.

Bleeding Through "Kill to Believe"
Bleeding Through "The Truth"

I don't imagine many people reading this are Bleeding Through fans, but if you've been swayed, just buy the disc online and hide it once it arrives so you can keep your shame tightly bottled beneath the surface. Just rip it to an iPod and label all the tracks "Cro-Mags" to keep your reputation intact... and make sure not to turn the headphones up too loud!

The End Records
Trustkill Records

Ljå - Til Avsky For LivetWhat else could I use to wash my hands of decent yet painfully overrated metalcore than the not quite "kvlt" but absolutely "troo" Norwegian black metal of Ljå's debut full-length, "Til Avsky For Livet", on Aftermath Music. I bought this last week because the cover art kicked ass (How's that for old school methodology?) and the songs I heard from their demo were strong, and here we are with 10 tracks and 50 minutes of consistently fierce and tactfully razor sharp black metal with snarling vocals and just the right amount of melody. I thought their demo sounded a hint more powerful in terms of the guitar tone, but the drums and vocals are pretty dead on here, so I can live with the slightly overzealous bite of the distortion since things tend to balance out overall.

Like a lot of black metal there's not much deviation from the path with this one. There are hints of dissonant melody in the guitar work, the vocal sneers sound pretty strained and raging, and musically speaking the song structures are fairly simple—offering a decent array of tempo changes that tosses in some of the almost oddly rocked out swagger that accompanies the work of those bands within the genre who tend to look to the past. And hey, that's fuckin' alright with me. This isn't as cold or atmospheric as the kind of shit that really hits home, but I'm down. Rather than sneaking up behind you to slice your throat, these guys seem more likely to just punch you dead in the mouth before sitting back down with a beer, you know what I mean?

Ljå "Tilgi Dem Aldri"
Ljå "Granatsjokk"

You've probably got a little too much light in your life, so pick this up and feel the darkness. Maybe they'll throw in some spiked armbands to accent your wardrobe?

@ The End Records

Comments

  1. When I heard a promo copy of this last winter, I thought it was bad, but there were a lot of catchy songs (“Kill to Believe” being one of them). You’re right about the singing though, especially on the ballad.

    I was a fan of Portrait of the Goddess though.

    2.23.2006 | By Tyrone

  2. Funny…if you cut out the parts about the “clean” singing, this pretty much sums up my thoughts on Himsa.

    Hate the look and all the nonsense that goes along with it (fingerless gloves, eyeliner, “deathlock” Danzig hair, etc)...but can’t deny the records are pretty damn catchy and have some better than decent riffs.

    Given your review, I even pulled this one back out of the “buh-bye” pile and revisisted it…still not doing it for me.  Admittedly, it has moments…but not enough consistency to get a spot in the CD rack…

    2.23.2006 | By Andy

  3. yeah I pretty much tossed it after 3 concentrated listens.  I am still a fan of the band that put out “Dust to Ashes” and “Portrait of the Goddess.”  way too many generic songs/parts to justify a place in the CD rack.  sorry, just couldn’t get into it.

    2.23.2006 | By jesse

  4. LjÃ¥ is fucking sweet…

    2.23.2006 | By Samir

  5. well well well. a month or so ago i posted a message extolling the virtues of ‘portrait of the goddess’ by bleeding through due to a harsh word toward BT in a mean season review..and copped shit.
    and here we have a review of the new one.. cool. and you even like it a bit. that’s nice. i dont. it’s fucking lame cheese designed to sell. the band now knows where their bread’s buttered and they are pandering to that market. at least they’ll now get a nice nest egg when this trend dies.
    i still recommend a listen to portrait of the goddess. it was written when the band was still a side project and the band hadnt embraced being fashionable. and it is fucking A (cept for subpar production). if you can find something of substance in this pablum then you should find much more to like about ‘portrait..’

    2.23.2006 | By alexwank

  6. Wow. I’m probably the only person who will ever comment on this saying that I liked it for the most part. The well-written songs (‘Kill To Believe’, ‘Love In Slow Motion’, ‘For Love and Failing’, ‘Tragedy of Empty Streets’) are really fucking good, but I will admit some of them aren’t quite there yet (‘Return To Sender’ bores me to death). But yeah, overall, this is a pretty good record.

    Also, I could care less about how the band dresses. At least they’re decent, honest kids as opposed to, say, Avenged Sevenfold, who are a bunch of arrogant shitheads.

    2.23.2006 | By Gabriel

  7. portrait is just as bad as everything else they’ve done, but at least now they have a decent production

    2.24.2006 | By Anonymous

  8. I just listened to a bunch of samples from “Portrait…” and I can’t take it.  I generally absolutely loathe metalcore that’s nothing but fast third-rate pseudo European death metal tremolo picking riffs over and over again.  I’m not entirely sold on this new record either but the songwriting is a lot better in my opinion.  If the singing vocals were to become more comfortable sounding and the catchiness of tracks like “Kill to Believe” more common they could win me over.

    Himsa were pretty damn good before they tried to be a metal band.  I’m baffled by that whole shift.

    Funny thing is Avenged Sevenfold used to be cool.  I never really got into their music 100% but I can remember their vocalist sending me their first CD and I thought they could’ve really done some damage with their potential back then.  We used to email back and forth for a bit about some side projects he had going on back then and he was a cool guy.  I think their new record is fucking awful, though.  I hate the image and I think their demeanor is largely postured for “marketing” or whatever.  I’m just alien to all that shit.  But he was always cool years ago so I don’t know…

    Oh, and Mean Season STILL makes bands like Bleeding Through look like god damn Menudo!  I bet even some of the dudes in Bleeding Through would agree to that!

    2.24.2006 | By Andrew Aversionline

  9. While the “Bleeding Through” tracks weren’t quite my cup of tea, LjÃ¥, on the other hand, was *excellent*. A well done return to the aesthetics of older Black Metal, but without sounding too stale. I’ll have to pick that one up.

    Thanks again, you really are the hardest working metalhead in the MP3Blog scene!

    2.24.2006 | By Anonymous

  10. haha, did Avenged Sevenfold’s vocalist call himself mr. Shadow back then too?

    2.24.2006 | By Anonymous

  11. I hope BT is paying royalties to GBH for the guitar line on “The Truth.”  It’s note for note (same tone too) as “City Baby Attacked…”.

    2.24.2006 | By Lastwatch

  12. If I am to be honest, I think that a lot of Bleeding Through’s material is pretty hit and miss. On ‘Portrait..’, ‘Rise’ and ‘Savior, Saint, Salvation’ are great songs. On ‘This is Love…’ we’ve got ‘Love Lost…’, ‘Number Seven…’ and ‘On Wings of Lead’. And then on ‘The Truth’, there’s the ones I mentioned before.

    They just need to learn how to write an album’s worth of good songs.

    2.26.2006 | By Gabriel