"Fury & Flames" is Hate Eternal's fourth full-length and Metal Blade Records debut, and to be totally honest with you I really haven't paid much attention to this band since their first album, "Conquering the Throne", hit the streets around eight years ago. I didn't really care for "King of All Kings" when it came out, and so I actually never even heard one note from "I, Monarch". In fact, I was "cleaning house" a few years ago and almost sold "Conquering the Throne", but I listened to it one last time and reminded myself that, yeah, it was definitely a keeper. So, I've had a strange relationship with Hate Eternal over the years, and wasn't sure what to make of this album when it showed up in the ol' mailbox. That was when I noticed that Hate Eternal mastermind Erik Rutan had beefed up the lineup this time around, with former Ripping Corpse bandmate Shaune Kelley joining in on rhythm/lead guitars, and the almighty Alex Webster from Cannibal Corpse handling the bass duties (and it turns out that new drummer Jade Simonetto may look like a youngster, but that dude can fuckin' play, so no worries there), so... that got me curious.
"Fury & Flames" was inspired by and is dedicated to former Hate Eternal bassist Jared Anderson, who sadly passed away in late-2006, and the emotions and everything associated with that type of experience certainly come across in the tense ferocity of the musicianship, as well as a good dose of the lyrical content. My particular listening tastes would've fared better with a hint more breathing room (read: tempo changes), but when said breathing room does rear its head (check out the midpaced riffing and amazing leads that close out "Tombeau...") things really snap powerfully into place. And though I find some of the relentlessly hammering speeds a little tiresome on some level, they do generally serve their purpose, and I can appreciate the discordant nuances of the way the guitar parts are piecing together with the surrounding elements to create this kind of whirlwind effect around the listener or something. There's just a level of experience and expertise present at the core that helps the material to rise above what would easily create pitfalls for lesser musicians, because most of the tracks are around three to four minutes apiece, and just when it starts feeling like overkill, a brief respite will present itself in the form of an unexpected burst of solos, or a pounding bassline fighting into the foreground, or even a few slower, less explosive runs—all of which almost seem strategically placed to maximize the extremity of the listening experience without losing focus.
And I do dig the recording, too. It took just a little bit of getting used to, perhaps because of the frenzied nature of the riffing and the complexities of the layering that's swirling around at relatively high speeds throughout the compositions, but this is one of the best sounding albums I've ever heard from Rutan, and that gets me amped, because I can remember a few times over the years being super impressed by his riffs and writing but just not being able to hang with the sound quality. And that's not the case here, because there's a good sense of clarity to the guitar tone, even with that churning dissonance; you can generally pick out the pummeling basslines amidst the chaos without them being blatantly prominent; and neither the drums nor the vocals ever come across as overpowering, which seems a rare occurrence these days when it comes to death metal that's heavy on the intense, blasting speeds and "controlled chaos" kind of angle, so... overall, a job well done. It couldn't have been easy, but the end result really pulls things together pretty damn well. Good stuff.
Hate Eternal "Bringer of Storms"
In remembrance. Grievous in this state. So solemn in this mourning. In your passing may you find eternal peace. In memoriam. Your presence echoes forever. May your memory never fade. In your passing may you seek eternal rest. May you travel well my friend, through the dismal light. Have no fear of the darkness, seek out what lies before you. By the grace of power you shall rise above us all. Your legacy now speaks volumes, surpasses the realm of mortality, as you are now upon us all. Grant him mercy amongst the graves of all the lands. Grant him everlasting solace. You have now passed on from this world so unjust, so cruel and uncaring. You shall never be forgotten, you shall always be remembered. Blessed be my brother, blessed be my friend. Blessed be my brother, blessed be my friend.
Purchase:
Metal Blade Records
The End Records
Relapse Records
Amazon.com (mp3)
iTunes (mp3)
Comments
Not my thing, but good for this kind of thing…and loads better than Kingdom of Sorrow. Actually may check out the rest of the album.
3.11.2008 | By Johnny
I hear Mr. Rutan actually lives somewhere here in St. Petersburg, but I’m guessing in a better part of town than me. I picked this up last week during my last run to Vinyl Fever (our local indie record shop in Tampa). Great stuff - and it’s always good to support the local death metal scene here in Tampa. It may not be as strong as it was in the early 90s, but Obituary’s most recent disk is great (IMHO) and this Hate Eternal disc is absolutely ferocious. Long live Tampa Death Metal!
3.11.2008 | By Karl J
man Andrew, I have to completely disagree with you about the production on this album. Musically its pretty damn good, or at least I think it might be, because for the life of me I can’t get my head around the mind-bogglingly bad mix this album has. I’ve tried it on my home stereo, my car stereo, and two sets of high quality headphones and EQ’d the shit out of it as much as possible and all i hear is a fucking hailstorm of drums hurtling at me. I’ve been enjoying Rutan’s work more and more and especially after the powerhouse job he did with the last Cannibal Corpse album. I put this on and immediately I begin to get aggravated over how it sounds and can’t put my focus on enjoying the music. A damn shame IMO.
3.11.2008 | By vugelnox
I agree with your comments on Hate Eternal’s discography. Conquering the Throne is their most listenable album to me, especially due to Doug Cerrito’s guitar work I think. But the other two albums lacked catchiness. The production improved each time (although vugelnox is making me wonder about their latest) but without any “hooks”, just kind of steamrolled along. On a side note, I think their lyrics are terrible but hey, I don’t think many listen to this genre for its poetics.
3.12.2008 | By watsonmason
i always wanted to like Hate Eternal, but they are seriously one of the most boring bands ever. i love blast beats as much as the next guy, but the non-stop blasting and riffing gets REALLY old. the best song they did was that instrumental on the last record- was it called “the faceless ones” or something?
this:
without any “hooks”, just kind of steamrolled along
3.12.2008 | By sergeant d
i actually like the production on this thing. i used to be a “drummer”, so drums in the front always please my ear. plus, i think it’s fitting for this style. the band name’s cheesy as fuck, tho.
3.13.2008 | By chris
I haven’t had a chance to give the album a full listen, but what I’ve heard thus far sounds great. Sure, it is your typical Hate Eternal, but that’s a good thing. When I want some serious, fast-as-fuck death metal… they’re at the top of my list.
The production sounded good to me, similar to “I, Monarch,” which is a great album.
3.14.2008 | By MWRECS
Well, this is certainly better than King of all Kings which was a one-dimensional mudfest(both musically and recording-wise). That’s the only one I’ve heard. I can’t get over this blast beat style, though, it grates on my nerves. Maybe it just annoys us guys over 30 or something, but the original blast beat was fine…it didn’t need chaotic double bass and arbitrary cymbals crashes thrown in the mix.
Some decent riffs in this. I could use a little more prominent bass from Sir Webster. The vocals are very nu death metal like Red Chord or some crap.
3.15.2008 | By justin
I bought this album as soon as it came out and I love it, I admit that it sounds a bit chaotic at first but that is what this kind of extreme music is about. I think Rutan has got better and better at producing but i can’t decide which i prefer, I,Monarch or Fury and Flames. I,Monarch has better drumming (that may be just coz i prefer Derek Roddy). And the later riffs in ‘Whom gods may destroy’ are fucking incredible.
This album may be hard to get into if you are not familiar with Hate Eternal, but for fans this album doesn’t dissapoint.
4.1.2008 | By Mike