"Five Pointed Tongue" (Hungry Eye Records) is the debut full-length from Saros, one of San Francisco's new breed metal acts (featuring drummer Blood Eagle, formerly of the mighty Weakling, for those interested). A rather diverse outfit that blatantly defies specific categorization, there's a significant dose of "traditional" metal influence to the thrashy riffing and soloing, while unique melodic twists and atypical chord phrasings shift towards a different vibe altogether (at times somewhat reminiscent of Arghoslent—strictly in terms of the music, of course). Generally snarled, distant vocals then add a blackened edge—surprisingly easing up for some excellent singing on occasion as well. Beyond that, there are also a few Schuldiner-esque flashes of technicality and time changes, with select eerie clean/acoustic breaks that segue nicely into the band's trademark aggression. Hell, there are even some totally rocked out 70's styled dual guitar runs that come completely out of nowhere in sparse instances—all of which makes for some rather adventurous twists and turns throughout the generally lengthy compositions (the mere five tracks clock in at damn near 45 minutes). This is certainly a group to watch...
You know the drill, buy it if you like it:
Comments
I worked really hard to get into this (ex-Weakling after all) and thought it just felt it a bit flat. Really wanted to like it, but it just didn’t measure up…
1.8.2007 | By Chris
Some parts of it were pretty interesting, but the production is rather poor and the clean vocals did absolutely nothing for me. Songs also seem to lose focus and just kind of drag on. They have a lot of ideas and potential (and, hey, ex-Weakling), but this didn’t work out for me at all.
1.9.2007 | By Chris
yuck. i dont know about this band. maybe it suffers from the production but iam tottaly not into this…..
1.12.2007 | By L.Ron
Damn, I can’t believe people don’t dig this. I do think the production could use a little more meat to it, but it doesn’t really bother me at all, and I dig the overall vibe of the songwriting.
1.12.2007 | By Andrew Aversionline